Here’s what you’re gonna do: you’re gonna listen to this massively intelligent insight bombKiller Mike drops on CNN’s Brooke Baldwin regarding Ferguson, which is a truly horrifying and disappointing (though tragically not surprising) blight on America’s already rocky reputation. After you do that, maybe read and share his Billboard op-ed piece where he attacks the fundamental issues that need to be addressed. Then, maybe after some of your own research, when you feel like you have a fully formed opinion and are satisfactorily upset over all the bullshit, press play on Blockbuster Night Pt. 1. Let the rap duo that are giving The Throne a run for their money’s uncut disses-upon-disses be directed at anybody who contributed to the ridiculous GoFundMe for the cop who shot a harmless 18-year old and provide catharsis. Let El-P‘s sinister and swaying, clicking and clacking beat on the track spread fear in the hearts of hate-mongers all around the world. Sure, it’s an inherently apolitical track, but it’s got an intensity that can be focused anywhere and will cause immeasurable destruction that simply cannot be denied. After Mike’s final line, “tell ’em fuck ’em, I never loved ’em and salutations” lands like bricks just after the beat drops out, you know exactly who has just passed through. Run the Jewels are back, and it’s looking like they’re here to do that voodoo that they do (sodamn well) all over again.
RTJ2 (sequel to last year’s fantastic self-titled debut) is out October 28th via Mass Appeal Records.
New York producer Photay (Evan Shornstein) released his self-titled debut album about a year back (pick it up for free!) and was barely noticed. It was a compilation of the work he’s produced over the period of 2010-2012. Following a trip to West Africa, the album was heavily influenced by African natural sounds. Interesting as it was, it definitely put him on the radar for me.
So when he released No Sass I (with the internet) welcomed his new sonic palette of glitzy horns, staccato-ed beats resulting in equal parts jazz, hip-hop, funk and well, awesome.
His new self-titled album is due later this month on the 26th and from the sound of it (get it?), he’s definitely worked it out this time.
Fans of Aphex Twin, Tennyson, and Capital Cities will love his sound.
Show him some well-deserved love at this facebook and souncloud page.
Did you hear Side B (Dope Song) off of Danny Brown’s fantastic 2013 album Old? If no, go ahead and treat yourself. Don’t worry, I’ll wait. Wasn’t that great? Both as a song as well as an introduction to how these two giants in their respective genres work together. Pleasant synthy intros lull you into thinking that you’re in for a luxurious pop song, until Danny’s killer flow comes in and completely stomps that idea out without remorse. Suddenly you’re hearing jittery drums coming in as jittery as machine gun fire and you’re trapped in the intensity of Danny Brown‘s words and Rustie‘s glitchy beat. They’re forgiving though, letting you up for a gasp of air when Attak retreats for a minute as it brings back the opening synth melody. It’s a trick that never fails though, as it’s actually just another build-up into the next pummeling drop. This track has got me all sorts of hyped for Rustie‘s next album Green Language, out August 26th via Warp.
Jazz / Hip-Hop / Alternative Blues / Electronic / Downtempo / Synth
Credit: Part Time Wizards
I’ve been waiting forever to share this guy and pretty much everything he’s done with the world ! 18 year old composer/songwriter/beatmaker/violinist/singer/prodigy TomMisch may be new but he’s definitely here to stay. I’d love to say he’s fresh out and has lots to learn but he’s already been featured on Soulectionas well as on a few other keen music blogs. Rhythmic stand-off hip-hop beats and silky warm instrumentals (often synths, violin, sax and the piano), he’s created a recipe for success and all-around great soundtracks for lounging around. If you’re into the feline lifestyle (who isn’t?) then this stuff is for you. Fans of André 3000 and Mr. Carmack or those Majestic vibesshould be getting all sorts of déja-vu goosebumps to this stuff.
Here is like, all his stuff so far. In case you can’t tell. I’m a bit of a fan.
Follow him at his soundcloud here as well as his facebook. Lotta free DLs/name yo prices, go cray.
He’s currently working with Carmody on a collab EP, stay on top of it at her soundcloud here.
P.S.: Exams coming up, shall become quite scarce for a bit ❤
When you title a sample-based piece a “suite,” you immediately set up expectations of grandness. This track isn’t afraid of the big screen though–indeed, it lunges straight for the Oscar. Having collaborated with the likes of new rap wunderkind Danny Brown (listen to his latest album, Old, please, it’s one of this year’s best. Pretty please), Edinburgh producer Jaisu knows how to make a track monstrously big, but sparkle like a movie star’s smile. Suite In D Minor League takes you on a sonic journey. From the opening scene, with its slow-burning fanfare, to the snappy drums parts marching along, to the smooth guitar parts, until a jabbing strings part that brings the whole thing to a close–you are constantly watching and tagging along as this cinematic piece moves forward. The whole beat tape, A Short Album, works like this. It feels strongest as a whole piece, meant to be listened to in one smooth take. Short as it may be, there are plenty of little wonders to lose yourself in.
Hear all of A Short Album here, and learn more about the up-and-coming beat-tape label, Astral Black, here. (P.S. Be sure to thank Dummy Mag for the FREE download on this soundcloud player!!)